Anyways, I broke out my airbrush on 'Noplan'; the painting in my last post, and the techniques I used in there made me want to experiment more with airbrush.
There is a very basic technique that must airbrushers come across by accident, and most times unhappily. YOu get it many ways: paint too thin, brush too close, too much paint released too fast... you get a dot, then these little tendrils of paint wiggle out all over ruining your perfect fuzzy dot! It can be frustrating to a beginner. I happen to think that the effect is pretty neat, and exploited it in 'Noplan' quite a bit.
Today I painted 2 paintings for the anonymous art show they're called "Embers" and "frost". They're a pair (diptych) and they were both donw using the spidering technique with airbrush in a differnt way from "Noplan".
Embers came first with a light coat of a couple different yellows, I then added some cad orange into the yellow and kept spraying. I never cleaned out the colour before adding more, it gave it a more gradual transition between colours. I really saturated this one, and let the air push around the thick puddles of colour. as the air focused on one area it would push colour away revealing the under colours and create neat funnels of overlapping colours.
Frost was after, i had it painted upside down the whole time and it wasn't until i turned it over (to the way it is now) did I actually like it HAHA! i used a more standard spidering technique this time, but i did alot more "drilling" to the base colour in this one. Both were gessoed with canvas coloured gesso, to the warm colour of the gesso i think really looked great peeking through the really cold blues.
And there it is. Not all airbrushing is flaming Harley tanks, and naked women with badly proportioned bodies.